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SINGER, ACTOR, & WRITER
PRESS
2022: A Little Night Music (Union Avenue Opera)
Eric J. McConnell sings the difficult comic "tin-soldier" role of Count Carl-Magnus. He captures the ludicrous melodrama of the count's raging jealousy. Lovely work!
-Broadway World
Full Review
Also terrific is Eric J McConnell, who is wonderful in his UAO debut.
-ReviewSTL
Full Review
Speaking of projection, bass-baritone Eric J. McConnell has ample vocal power as the “pea-brained” Count Carl-Magnus Malcolm, whose toxic masculinity is exceeded only by his lack of insight.
-Stage Left St. Louis
Full Review
Eric J. McConnell mines the comedy in the buffoonish character of the doltish, hypocritical Count.
-Ladue News
Full Review
...along with particularly strong comic turns by McConnell as the boastful, possessive Carl-Magnus...
-Snoop's Theatre Thoughts
Full Review
2022: Le nozze di Figaro (Virginia Opera)
Roadblocks are erected by Marcellina (mezzo-soprano Whitney Robinson) who also longs for him, and her crony Bartolo (bass-baritone Eric J. McConnell). But these two, the consummate comics of the evening, turn out to be Figaro’s long-lost parents.
-The Virginian Pilot
Full Review
Bass-baritone Eric J. McConnell put a droll, animated spin on Bartolo’s every line.
-Opera News
Full Review
2021: Das Rheingold (Virginia Opera)
Bass-baritone Eric J. McConnell as Donner, god of thunder, gave [a] fine performance, especially considering this was [his] first foray into the Ring.
-OperaGene
Full Review
2020: Stayin' Alive Fall Residency (Virginia Opera)
McConnell, who in addition to a vibrant voice has significant acting chops, portrayed cheerful villainy in “La calunnia” from Rossini’s The Barber of Seville.
-DC Metro Theater Arts
Full Review
2017: The Tender Land (Northwestern Opera)
Bass-baritone Eric McConnell sang sturdily as the overprotective Grandpa Moss. -Chicago Tribune Full Review
2016: Roscoe (Albany Symphony Orchestra)
Standouts included the fiercely accurate bass Eric McConnell as the bee-bopping Elisha.
-Albany Times Union Full Review
2015: Concert (Champaign-Urbana Symphony)
One of the more familiar numbers of the Oratorio, the bass aria from Cantata No. 1, "Great Lord, O Mighty King," was stirringly sung by bass-baritone Eric J. McConnell. -The News-Gazette Full Review
2015: Intelligent Systems (SoBe Arts Institute)
This, too, is where the most notable solo singing comes in...McConnell was strong acting-wise, and his forceful bass voice has a lovely lower register. -Palm Beach Arts Paper Full Review
McConnell's power bass-baritone was potently utlized.
-Miami Herald
Full Review
2013: Britten Scenes (Frost Opera Theater)
McConnell’s booming bass-baritone dominated the Moot Hall scene from Britten’s 1945 masterpiece Peter Grimes, an interlude of bright merriment before the impending tragedy. -South Florida Classical Review Full Review



Carl-Magnus, A Little Night Music (2022)
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Bartolo, Le nozze di Figaro (2021)
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Donner, Das Rheingold (2021)

Grandpa, The Tender Land (2017)

Basilio, Il barbiere di Siviglia (2015)

Simone, Gianni Schicchi (2015)
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